Is the medium the message? How do new media alter the relations between a product and its consumers or audience when it is remediated through new media technologies? Draw on three different works of popular culture that have undergone remediation, or look at one work that has gone through three forms of remediation. How has each remediation changed its content or its relationship to different audiences? What remains the same? Does remediation lead to a profoundly different set of relationships between culture, consumers, and industry?